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This piece was so great! I laughed my head off, cried my eyes out, and thoroughly enjoyed the rhinestones! Una is a brave playwright who brings every bit of herself onto the stage, and the audience is better for it.
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Charles C. Bales
Feb 22, 2013
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Gradys youthful humiliations, though many, have allowed him to grow into a confident performer willing to share his discomfiture for laughs... And there are many laughs in Little Pussy
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Leah Tuckman
Mar 02, 2013
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The show was fantastic! Great chemistry with the two actresses.
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David Sheward
Feb 21, 2013
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I love history. I loved the show!
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Great peformance by Antonia. Good charechter work, good tranasitions, and a touching story. A very pleasurable experience.
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Very dark and powerful show. The fast was extremely talented and truly channeled the emotion which this play intended to evoke.
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Martin Denton
Feb 22, 2013
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A fascinating story by a incredible storyteller. At turns hilarious, gripping and moving, I recommend this to anyone who has tried to cure themselves through hallucinogenic experimentation and to those who have been transformed by love. This is the 2013 Frigid production not to miss.
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John Grady is a very engaging perfomer. The show was a pleasure to watch.
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Richard Hinojosa
Feb 23, 2013
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It was great! Honest, creative, political - she presented political concepts really creatively and Una's performance was really emotionally connected and personal.
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I loved it. It was really empowering to women and showed the unique bond females can have between each other regardless of sexual orientation.
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The story is told calmly and with much warmth, and feels like a personal victory and celebration of life.
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I thought the show was brilliant. Beautifully written and the performances by both Sarah and Emily were outstanding. Bravo. Highly recommended.
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Honest, real, original, and important!
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Tremendously courageous with feeling, humor and soul.
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The ensemble... are entertainers of the first order and are not to be missed.
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Michael Block
Feb 17, 2013
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Spotlight on Killy Dwyer
The lyrics to my songs, the layers and weaving of loops of music and sound, the audience interaction and improvisation, the subtle silly or serious moments work best with a Stockholm Syndrome having, captive audience.
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